Directed by Phil Alden Robinson
I know this review is late; I’ve been putting off writing it. I have such mixed feelings about Field of Dreams that’s it hard for me to know what to say. Field of Dreams is a movie I grew up with. My dad would stick it in the VCR when he was working at home. As soon as the movie finished, Dad would simply rewind it and start it up again. He loved it so much that when my mom started to slim their movie collection down, there were three VHS copies and two DVDs of Field of Dreams among the other movies. I liked it when I was a child, but now I have very little patience for it. I don’t know what changed, but it was a chore to watch this movie.
So what’s the story? Reluctant farmer Ray Kinsella hears a voice in the cornfield: “If you build it, he will come.” Ray becomes convinced that it means that if he builds a baseball diamond in his fields, long-deceased baseball player Shoeless Joe Jackson will be able to come play baseball. Ray takes a leap of faith and makes the baseball field, and miraculous things happen.
The Good: Field of Dreams is based on the novel Shoeless Joe by W.P. Kinsella. Because I had seen the movie so often, I was excited to read the book in high school when one of my teachers had it on the free choice book list. The book was not so great. I don’t say this often, but the movie is much, much better than the book. The screenplay takes all that is wondrous and beautiful from the novel and makes a much more concise, coherent experience. Making a screenplay that is better than the book is not easy; Phil Alden Robinson did a fabulous job with the adaptation.
James Horner’s score is hauntingly beautiful. It fits the movie so very well, ethereal and peaceful. It never takes over what is happening on the screen, but supports it as a good musical score should.
Most of the actors were perfect. Amy Madigan is amazing as Ray’s scattered, yet down-to-earth wife, Annie. She hits just the right combination of crazy, passionate, supportive, and stable. Annie is a complex character, and Amy Madigan nails it. Although author J.D. Salinger is a character in the novel, Salinger was adamant that he not be a character in the movie. James Earl Jones plays the replacement character, fictional author Terence Mann. At first truculent and reluctant to listen to Ray, Mann slowly turns into a believer and champion of Ray’s mission. Jones subtly portrays the changes of the character and brings Terence Mann to life. The minor characters are also well cast. Gaby Hoffman as Ray and Annie’s daughter Karin, Frank Whaley as Archie Graham, and the great Burt Lancaster as Doc Graham all do a wonderful job. I especially love the kindness that shines from Doc Graham’s face. The minor baseball players whose names I do not know have a good bromance chemistry. Shoeless Joe is played by Ray Liotta. He brings an intensity to the role that makes him believable; you can see the love of the game emanating from him. (Also, Ray Liotta is extremely attractive in this movie. I thought so even as a six-year-old girl.)
The Bad: My view of this may be tainted by personal feelings, but I’m not a big fan of Kevin Costner’s performance as Ray Kinsella. He has his moments (notably his fanboy excitement when he meets Shoeless Joe for the first time and then later during the kidnapping of Terence Mann), but he’s not consistently impressive. Again, this might be my feelings getting in the way. I am not a fan of Kevin Costner the man. I’m not entirely sure why, but he just strikes me as being full of himself.
It is never explained why Terence Mann needed to be brought to Iowa. Yes, he loves baseball, but there was nothing else. He’s fabulous character, and I love that he’s in the movie, but he doesn’t have a why, so it niggles at my brain.
The Ugly: In his introduction, Ray says that he was born in 1952. He and Annie both talk often about “experiencing the 60s,” especially during their college years at Berkley. But they would have turned 18 in 1970; they would only have had 70s experiences in college. They would have only experienced the 60s as teens in high school, and based on the strictness of their families, they wouldn’t have had much of a 60s experience then. That stupid wrong detail has bugged me for years. Come on, people. Details are important!
Oscars Won: None.
Oscar Nominations: Best picture; best writing, screenplay based on material from another medium; best music, original score.