I'd like to spank the Academy

Archive for May, 2015

Deliverance (1972)

deliverance_posterDirected by John Boorman

I don’t know a lot about most of the Oscar-nominated movies from the 70s and 80s. I was raised on movies from the 30s through the 60s; I became at least semi-aware of the movies in the early 90s. But the 70s and 80s are just kind of a big, unexplored wilderness to me. Sometimes that’s a good thing; it means that I don’t have any preconceived ideas about the movies. But sometimes it means I get a nasty shock when something traumatic happens that I am not at all prepared for. That’s what happened to me with Deliverance, and that is why there will be a couple spoilers in this post. Normally I hate spoilers, and I try very hard to keep my posts spoiler-free, but I really wish someone had spoiled certain points about Deliverance for me.

So what’s the story? A dam is about to be built on a river in Georgia, so four friends decide to go canoeing down the river before the natural beauty of the area is destroyed. Although they are prepared for the dangers of nature, they aren’t ready for the dangerous men they will encounter.

The Good: The men who play the four friends do a phenomenal job. Burt Reynolds plays Lewis, the tough outdoor man who convinces everyone else to go on the trip. John Voight is his best buddy Ed. Gentle, music-loving Drew is played by Ronny Cox. Ned Beatty perfectly captures the cocky braggart Bobby. All four actors were terrific. I think the best scene was right after the tragedy when all four are reacting to it and trying to make a decision. Their personalities really shone through.

The cinematography was beautiful. Beautiful scenery makes gorgeous cinematography easier, so they definitely had a leg up when filming this movie, but the scenery wasn’t all there was to the cinematography. There were interesting and clever shooting angles. It was really cool.

The Bad: There were a couple of times in the movie that I had to rewind and watch very, very carefully to figure out what had just happened because it wasn’t clear.

Also, this movie has an awesome scene with the song “Dueling Banjos,” but because this movie left such a bad impression on me overall, I don’t think I will ever be able to listen to that happy song without thinking of this horrifying movie.

The Ugly: Okay, here’s the spoiler. If you don’t like spoilers, skip this section. If you read my blog regularly, you know that I’m not a huge fan of violence. Deliverance has one of the most horribly violent scenes I have ever seen. A man gets raped by another man. It was a terribly uncomfortable scene to watch, and the sick feeling it gave me made it hard to concentrate on the rest of the movie. I just can’t handle stuff like that, and not knowing that it was going to happen made it so much worse. I know not everyone is as sensitive to violence as I am, so it might not bother you, but it really bothered me. So there is my public service announcement about Deliverance.

Oscars Won: None.

Oscar Nominations: Best picture; best director; best film editing.

Cabaret (1972)

cabaretDirected by Bob Fosse

Okay, I’m back. I’m finally better enough that my writing once again makes sense. And I’m glad, because I’ve missed this. Now on to 1972!

I liked musicals when I was young. I’m not sure why. Maybe I liked believing in a place where people burst spontaneously into song and dancing with your enemy could solve problems. Maybe I didn’t notice that story and character development tend to suffer when the director has to make room for musical numbers. Maybe I liked the happy endings. But whatever it was that I liked as a child is gone now. Musicals make me very impatient. I still retain a nostalgic liking for the musicals I liked growing up, but I have a hard time with musicals that I am seeing for the first time. Since Cabaret has adult themes, it is not a musical I grew up with. Although I can see some of what people like about it, I didn’t particularly care for it.

So what’s the story? Young English author Brian Roberts moves to Germany in the 1930s. At his boardinghouse, he meets Sally Bowles, an effervescent American nightclub singer/aspiring actress. Together they experience the heady turmoil of pre-World War II Berlin.

The Good: I will give Cabaret props because even though it has musical numbers, all of the musical numbers take place in the nightclub. No one randomly breaks into song on the street or anywhere else. I did like that aspect of Cabaret as a musical. It made it realistic enough that I didn’t want to throw something at the TV.

The acting was good. Liza Minelli made a wonderful Sally, a woman who finds every experience in life worth trying, a woman who just loves life for life’s sake. I quite liked Michael York as Brian, the quiet Englishman who’s not quite sure of his sexuality or what he wants out of life. But the people who I really loved (and whose story I found more interesting than that of Sally and Brian’s) were Fritz Wepper and Marisa Berenson as a gold-digging man and a rich young woman, respectively. Both characters were extremely compelling, and being unsure if they will get a happy ending after all makes them semi-tragic.

The Bad: Even though the characters didn’t randomly burst into song, I didn’t feel like the songs added anything to the movie. The songs could have all been cut, and the only thing it would have done to the movie is make it shorter. There wasn’t even any fabulous dancing to make the musical numbers worth it. And I think some of the cabaret dancers were men in drag, but I couldn’t ever be sure, so I was distracted during the musical numbers trying to figure it out.

The Ugly: There wasn’t anything ugly about Cabaret per se, but I had a really hard time connecting to the movie at all. I can’t even blame being sick, because I was really into other movies I watched while I was sick. Anyway, I’m just going to have to risk the wrath of the internet and say I think Cabaret is overrated.

Oscars Won: Best actress in a leading role (Liza Minnelli); best actor in a supporting role (Joel Grey); best director; best cinematography; best art direction-set direction; best sound; best film editing; best music, scoring original song score and/or adaptation.

Other Oscar Nominations: Best picture; best writing, screenplay based on material from another medium.