I'd like to spank the Academy

Archive for February, 2015

La vita è bella-Life is Beautiful (1998)

life is beautiful posterDirected by Roberto Benigni

When I was a sophomore in high school, my history teacher broke precedent and offered us extra credit if we went to a certain movie that was playing at the arthouse cinema downtown. Getting extra credit for watching a movie was a no-brainer to me, so one cold, snowy Saturday night in January, I called up my best friend to see if she wanted to go see it with me. Her mom asked what the movie was about, and when Tiffany said that it was a comedy about the Holocaust, her mom flipped out and almost refused to let her go. The extra credit was too good to pass up, though, so my brother drove us down to the theater. When we got there, my jaw dropped. The line for tickets wound out the door, filled the sidewalk, and bumped up onto the street. We didn’t get in to the early showing and barely made it into the late one. But after I had seen Life is Beautiful, I understood. I knew why people were willing to stand on the sidewalk in the dark and the freezing cold to experience this movie.

So what’s the story? Guido is a young man who moves to the city hoping to open a bookshop but willing to work as a waiter until that dream comes true. He meets the beautiful Dora, his “pricipessa,” and wins her heart when he shares with her the joy he finds in life. Despite the disapproval of Dora’s mother, they marry and have a little boy, Giosuè. But it’s not safe to be a Jew in Italy during World War II, and Guido, his uncle, and Giosuè are taken to a labor camp. Dora insists on going, even though she is not Jewish. Giosuè is too young to understand what’s going on, and Guido is determined to keep Giosuè in the dark. He invents a story that the camp is game with challenges to be won. Life in the camp gets harder and darker, but Guido keeps up his spirits and humor so that his child won’t see the horrors of the concentration camp.

The Good: Roberto Benigni had to tread very carefully with this film. When you are making a comedy about such a serious topic, everything has to be perfect. If it’s too over the top, it will be disrespectful. If it’s too subtle, people are going to wonder if it was meant to be funny. I think Nicola Piovani managed to walk that line perfectly with his musical score. The music underscored the darker moments, but also brightened the happier ones.

The acting was also marvelous. Roberto Benigni showed so many facets of a complex man, a man willing to do anything and everything for love. Nicoletta Braschi, Benigni’s real-life wife, did an excellent job playing a woman who finds the courage to accept love and fight to keep it when she finds it. Giorgio Cantarini is adorable as Giosuè. The rest of the cast was excellent, as well.

The Bad: The only thing I don’t like about this movie is that Guido’s friend Ferruccio disappears. Once Dora and Guido leave the restaurant, he never shows up again. While I realize that friendships shift and change over time, I would have liked to have seen him again. But really, that’s a tiny quibble.

The Ugly: Never ever ever watch this movie dubbed. Only watch it in its original Italian with subtitles. I checked the movie out on VHS not long after it was released on video, and I was shocked that it wasn’t in Italian. The dubbing made me almost physically sick. It loses so much of its charm and life when its dubbed. Don’t do it!

Oscars Won: Best foreign language film; best actor in a leading role (Roberto Benigni); best music, original dramatic score

Other Oscar Nominations: Best picture; best director; best writing, screenplay written directly for the screen; best film editing

Elizabeth (1998)

220px-Elizabeth_PosterDirected by Shekhar Kapur

I am not a historian, let alone an expert on the Tudor era, but I do flatter myself that I know a little bit more about history than the average American (which, sadly, is not that difficult because very few people here understand the value of history. But that’s a whole nother topic.). Having said that, nothing annoys me more than a movie that pretends to be historical, but is riddled with inaccuracies (*cough* Ever After *cough*) or has added made-up events because it makes a better story. If the original story isn’t interesting enough, why are you making a movie about it at all?

So what’s the story? Elizabeth tries to find her place as queen amid the danger and intrigue of the Tudor court.

The good: The costumes were gorgeous. I felt like they did a good job of showing the shifting of the fashions over time. The makeup was also well done. The makeup artists did an excellent job of making Cate Blanchett age just a few years, making her look older, but still young. They also avoided the problem that plagues so many historical movies; the actors did not look like 20th century people dressed in costume. I’m not sure what they did differently from some of the other movies of 1998, but somehow it worked.

The bad: The first time there is a shot looking down into a lofty stone hall from above, it’s really awesome. By the twentieth time, I feel like the director and/or cinematographer is saying, “Look at these cool shots we can do! Aren’t we awesome?” I was also annoyed by the martyr scene in the beginning. I felt like it was only included so that it could foreshadow the ending, which felt really heavy handed.

I didn’t much care for the production design, either. It has always seemed to me that this time was rather alive and noisy and messy, but everything seemed to be so…sterile. Too perfectly posed, maybe. It just made me feel more disconnected from the movie, rather than drawn in.

The ugly: The movie starts off with a definite date: 1554. And that is the last date we see in the movie. Although Elizabeth looks subtly older as the movie goes on, the viewer is left with no idea how much time has passed. Is it a matter of months or years? Considering that specific places are labeled, this lack of dates is disconcerting. Of course, since so many things in the movie didn’t happen anyway (a poisoned dress?), I guess they couldn’t have done dates. It annoyed the crap out of me, though.

Oscar Wins: Best makeup

Other Oscar Nominations: Best picture; best actress in a leading role; best cinematography; best costume design; best art direction-set direction; best music, original dramatic score.

(Random thought inspired by this movie: If Elizabeth had married the Duke of Anjou, her mother-in-law would have been Catherine de Medici. This is the only circumstance in which I can accept the poisoned dress as a possibility, because Catherine de Medici was CRAZY! I would totally watch the alternate history movie of this story if it existed.)